The design of the arches may have represented the yoke of submission under which captives were forced to march. Some arches served as city gates, but for the most part their function was only monumental. TITUS, ARCH OF(1) A triumphal arch commemorating Titus victory over the Jews and his conquest of Jerusalem, erected in 80 c.e. The Arch of Titus in Rome still commemorates the fall of Jerusalem in 70 C.E.Accompanied by his father, Emperor Vespasian, Titus celebrated his victory over Jerusalem by a triumphal procession. The relief decoration depicting the spoils seized from the Great Temple, Titus’s triumphal journey into Rome and his eventual apotheosis has become synonymous with our knowledge of events and the devastation wrought upon the city. Triumphal arches were built in honor of some generals. This fact throws light on Paul’s spiritual application of the illustration at 2 Corinthians 2:14-16. This sweet odor signified honors, promotion, wealth, and a more secure life for the victorious soldiers, but it signified death to the unpardoned captives who would be executed at the end of the procession. In the vanguard were the priests and their attendants bringing along the chief victim for sacrifice, a white ox.Īs the procession passed through the city, the populace threw flowers before the victor’s chariot, and burning incense on temple altars perfumed the way. Roman consuls and magistrates followed on foot, then the lieutenants and military tribunes with the victorious army-all bedecked with garlands of laurel and gifts, and singing songs of praise to their leader. The conqueror’s children sat at his feet or rode in a separate chariot behind him. Next came the general’s chariot, decorated in ivory and gold, wreathed with laurel, and drawn by four white horses or, on occasion, by elephants, lions, tigers, or deer. The captive kings, princes, and generals taken in the war, with their children and attendants, were led along in chains, often stripped naked, to their humiliation and shame. Then came open carts loaded with booty, and tremendous floats illustrating battle scenes or the destruction of cities and temples, and perhaps topped with a figure of the vanquished commander. Musicians playing and singing songs of victory were at the front, followed by young men leading the sacrificial cattle. Accordingly the inscription (on the east side) calls him divus, and in the middle of the arch of the doorway the Genius of the emperor is represented being carried to. The Roman procession moved slowly along Via Triumphalis and up the winding ascent to the temple of Jupiter atop the Capitoline Hill. The arch, which the senate and the people decreed to Titus after the triumphant ending of the war in Judea, was not completed during the emperor’s lifetime. In the days of the Roman republic, one of the highest honors the Senate could bestow on a conquering general was to allow him to celebrate his victory with a formal and costly procession of triumph in which no detail of pomp and glory was overlooked. Other sacred objects being carried in the triumphal procession are the Gold. Egypt, Assyria, and other nations commemorated their military victories with triumphal processions. The golden candelabrum or Menorah is the main focus and is carved in deep relief. beuʹo, meaning “lead in a triumphal procession,” occurs only twice in the Scriptures, each time in a somewhat different illustrative setting.-2Co 2:14 Col 2:15.The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.A formal procession in celebration of victory over an enemy. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it.
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